Photo from LouisArmstrongHouse.org
Louis Armstrong was born in New Orleans in 1901. He is remembered as the most influential artist in the early development of jazz. His influence, both as an artist and cultural icon, is universal and is still relevant today.
Career highlights, compiled by the Louis Armstrong House Museum:
Explore these links to learn more about the amazing life of Louis Armstrong:
Louis Armstrong by
Louis Armstrong was the founding father of jazz and one of this century's towering cultural figures. His musical innovation and exuberance made him a household name, yet the full story of his extravagant life has never been told. Now, drawing on a vast, previously unexplored archive of Armstrong's writings and recordings, acclaimed biographer Laurence Bergreen presents an intimate, provocative, and definitive portrait of the legendary Pied Piper of American music. The musical talents of Satchmo--as Armstrong became universally known--were prodigious and groundbreaking. After learning to blow his horn in the bordellos and honky-tonks of Storyville, New Orleans's bustling red-light district, he honed his sound on a Mississippi riverboat and later became a featured solo trumpeter in the nightclub bands of Chicago and New York, where his stunning musicianship, gravelly voice, and irrepressible personality captivated audiences and critics alike. Countless recordings, nonstop touring of America and Europe, a radio show--the first ever hosted by a black man--and film appearances catapulted him to international stardom, yet he always remained true to himself and loyal to his roots. Despite his successes, Armstrong's career was also marked by intense struggle--against the Depression, against the Chicago gangsters of the 1930s, and, above all, against racial prejudice. A revolutionary musician and entertainer, Louis Armstrong was also a character of epic proportions. Born in 1901 to the sixteen-year-old daughter of a slave, he came of age, joyfully, among the prostitutes, pimps, and rag-and-bone merchants of New Orleans. He married four times and enjoyed countless romantic involvements in and around his marriages. Throughout his rich and varied life, he was a believer in marijuana for the head and laxatives for the bowels; a prolific diarist and correspondent; a devoted friend to celebrities from Bing Crosby to Ella Fitzgerald; a perceptive social observer; and, in his later years, an international goodwill ambassador. Even as segments of the black community scorned him as a sellout to the white establishment, Armstrong broke color barriers wherever he went and helped other blacks to find equality and identity in modern America. "You see that horn?" he would ask his adversaries. "That horn ain't prejudiced. A note's a note in any language." Filled with insights and information gleaned from Armstrong's voluminous reminiscences and featuring a superb collection of photographs, this remarkable book brings to life as never before the charismatic figure who forever changed the face of music. In vivid detail and with warmth, wit, and breathtaking sweep, Laurence Bergreen'sLouis Armstrongreveals a man of passion, courage, humor, and genius.
Louis Armstrong, in His Own Words by
Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. Louis Armstrong: In His Own Words introduces readers to a little-known facet of this master trumpeter, band leader, andentertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence with one of his first biographers in 1943-44, autobiographical writings, magazine articles, and essays. Here are Armstrong's own thoughts on his life andcareer--from poverty in New Orleans to playing in the famous cafes, cabarets, and saloons of Storyville, from his big break in 1922 with the King Oliver band to his storming of New York, from his breaking of color barriers in Hollywood to the infamous King of the Zulus incident in 1949, andfinally, to his last days in Queens, New York. Along the way Armstrong recorded touching portraits of his times and offered candid, often controversial, opinions about racism, marijuana, bebop, and other jazz artists such as Jelly Roll Morton and Coleman Hawkins. Indeed, these writings provide a balanced portrait of his life as a musician, entertainer, civil rights activist, and cultural icon. Armstrong's idiosyncratic use of language and punctuation have been preserved to give the reader an unvarnished portrayal of this compelling artist. This volume alsoincludes introductions to the writings, as well as an annotated index of names and places significant to Armstrong's life.
Louis Armstrong by
A collection of photos, transcripts, and writings offer an inside look into the life of the jazz musician known as Satchmo.
Satchmo by
When pressed to name the most influential musician of the 20th century, many music historians will name Louis Satchmo Armstrong. Born in New Orleans in 1901 and recording into the 1970s, Armstrong is known as the father of jazz, the one figure most credited with moving the Western world from the age of classical music and Tin Pan Alley pop standards into an exciting new era of swing and hot jazz. Michael Meckna's book is the authoritative reference on Armstrong. Alphabetically arranged entries give detailed information on the many aspects of Armstrong's life and music. An appendix of CD releases includes entries that detail the record company, date of issue, song list, and performer list. Other appendices include a chronology, a list of movies, and a resource guide to Satchmo on the Web; a bibliography offers yet another useful tool for fans and students of Armstrong's life and music. A selection of historic black-and-white photos completes the volume.
Pops by
Louis Armstrong was the greatest jazz musician of the twentieth century and a giant of modern American culture. He knocked the Beatles off the top of the charts, wrote the finest of all jazz autobiographies - without a collaborator - and created collages that have been compared to the art of Romare Bearden. The ranks of his admirers included Johnny Cash, Jackson Pollock and Orson Welles. Offstage he was witty, introspective and unexpectedly complex, a beloved colleague with an explosive temper whose larger-than-life personality was tougher and more sharp-edged than his worshipping fans ever knew. Wall Street Journal arts columnist Terry Teachout has drawn on a cache of important new sources unavailable to previous Armstrong biographers, including hundreds of private recordings of backstage and after-hours conversations that Armstrong made throughout the second half of his life, to craft a sweeping new narrative biography of this towering figure that shares full, accurate versions of such storied events as Armstrong's decision to break up his big band and his quarrel with President Eisenhower for the first time. Certain to be the definitive word on Armstrong for our generation, Pops paints a gripping portrait of the man, his world and his music that will stand alongside Gary Giddins' Bing Crosby: A Pocketful of Dreams and Peter Guralnick's Last Train to Memphis: The Rise of Elvis Presley as a classic biography of a major American musician.
Louis Armstrong by
Nearly 100 years after bursting onto Chicago's music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices.Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America.Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn't count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.